Folkicide
Ultra-blues, misanthropop, despair-core; what exactly is Folkicide? Arguably, it fits within all three of these time tested categories, but primarily Folkicide is the outlet for Kansas City songwriter Burnie Booth’s vision of constructive pessimism that he hopes in time will be recognized as a new acoustical genre fully devoted to the documentation of the delightful futility of existence. Initially Forged from the ashes of the obstreperous KC fuzz machine known as the Charge Droplets, Folkicide continues their pessimistic exploration into the decaying frame of Western Civilization. Though less sonically violent, the acoustical vibrations unleashed by Folkicide is still able to convey a horrifically pleasant image of hopelessness, fatalism, and inevitable decline.
