Mary Bluestocking solos 'Honey Pie'
Hey, folks, on Dec. 2 I'm performing solo!
You should come for that reason alone, as many of you know my doing as much is virtually unheard of.
The composition is the work of Verity Combe a performance artist from the UK.
The event's flyer reads: "Each woman has a different relationship to her own body." "This is a portrayal of how individual women can control the way others witness their bodies."
As a performer I am connecting to the piece through my many years of struggling with chronic physical debilitation and my experience of discovering how to heal by learning how to connect to my body on a very deep level. My Taoist martial arts and yoga practice are my vehicle for relating to the task of performing poses in motion.
But if that's not enough, I know, for a fact, that many of you are fans of indecent exposure.
Well this is the ultimate event I assure you wont be disappointed!
--as long as you're not late, that is.
It costs $10 but drinks are by donation
Doors at 7, performances start at 8:30 (they are only 3 (my solo is just one) and they're short and sweet so, again, this is the sort of thing you want to be on time for and follow through the whole thing with)
See OJ's Event Calendar for another explanation.
Location is Ten 10 Gallery: 10-10 47th Rd. Long Island City, N.Y. 11101
My bio in the event's program will read:
Mary Bluestocking is a fine art printmaker and drawer, and a feminist thinker. Native of Brooklyn, she earned her BFA at SUNY-Purchase and has since spent many years steeping herself in semi-nomadic bohemianism. This has entailed working on projects such as learning how to live off the land in the hills of central New York to running off to Guatemala unaffiliated and alone to teach art to underprivileged youth both in the city and in the jungle. She recently trained as a birth doula. Mary has suffered most of her adult life from physical debilitation and handicap, and as a youth her body was generally mangled and maimed. Trained in Taoist martial art for a brief, yet intensive, period of her youth in a secret dojo in the basement of a building that’s since been razed to rubble, Mary has been able to develop an involved, private yoga practice which she’s used to heal her body and deepen her connection to both frailty and resilience.